In Nonhuman Witnessing Michael Richardson argues that a radical rethinking of what counts as witnessing is central to building frameworks for justice in an era of endless war, ecological catastrophe, and technological capture. Dismantling the primacy and notion of traditional human-based forms of witnessing, Richardson shows how ecological, machinic, and algorithmic forms of wi...(展开全部)

Having set global warming in irreversible motion, we are facing the possibility of ecological catastrophe. But the environmental emergency is also a crisis for our philosophical habits of thought, confronting us with a problem that seems to defy not only our control but also our understanding. Global warming is perhaps the most dramatic example of what Timothy Morton calls “hyp...(展开全部)

Over a decade ago, Arthur Danto announced that art ended in the sixties. Ever since this declaration, he has been at the forefront of a radical critique of the nature of art in our time. "After the End of Art" presents Danto's first full-scale reformulation of his original insight, showing how, with the eclipse of abstract expressionism, art has deviated irrevocably from the na...(展开全部)

WINNER OF THE FRENCH ACADEMY GRAND PRIX A tribute to George Orwell's 1984 and a cry of protest against totalitarianism of all kinds, Sansal's 2084 tells the story of a near future in which Islamic fundamentalists have established an oppressive caliphate where autonomus thought is forbidden. It is the year 2084. In the kingdom of Abistan—named after the prophet Abi, earthly mess...(展开全部)

From the mid-sixteenth through the end of the seventeenth century, Chinese intellectuals attended more to dreams and dreaming―and in a wider array of genres―than in any other period of Chinese history. Taking the approach of cultural history, this ambitious yet accessible work aims both to describe the most salient aspects of this “dream arc” and to explain its trajectory in ti...(展开全部)

【作者简介】 多米尼克·利芬（Dominic Lieven），英国著名历史学家。毕业于剑桥大学历史系，现为剑桥大学三一学院高级研究员、英国学术院院士、伦敦政治经济学院荣休教授。他的《俄国与拿破仑的决战》（2015 年由甲骨文推出中文版）获2009 年沃尔夫森历史奖、2009 年拿破仑基金会拿破仑奖等诸多荣誉。 【译者简介】 苏然，法律从业者，先后就读于南开大学、中国政法大学，现为乔治城大学在读法学博士，译有《拿破仑大帝》。 王橙，现于法国攻读法国历史，译有《勇士中的勇士，拿破仑最富争议的元帅——米歇尔·奈伊传》、《拿破仑的第一骑兵——若阿基姆·缪拉传》、《拿破仑时代》（合译），并发表过《决战瓦夫尔》等文章。

Over a decade ago, Arthur Danto announced that art ended in the sixties. Ever since this declaration, he has been at the forefront of a radical critique of the nature of art in our time. After the End of Art presents Danto’s first full-scale reformulation of his original insight, showing how, with the eclipse of abstract expressionism, art has deviated irrevocably from the narr...(展开全部)

A narrative particle accelerator that zooms between Wild Turkey Whiskey and Bob Dylan, unicorn skulls and voracious librarians, John Coltrane and Lord Jim. Science fiction, detective story and post-modern manifesto all rolled into one rip-roaring novel, Hard-boiled Wonderland and the End of the World is the tour de force that expanded Haruki Murakami's international following. ...(展开全部)

A narrative particle accelerator that zooms between Wild Turkey Whiskey and Bob Dylan, unicorn skulls and voracious librarians, John Coltrane and Lord Jim. Science fiction, detective story and post-modern manifesto all rolled into one rip-roaring novel, Hard-boiled Wonderland and the End of the World is the tour de force that expanded Haruki Murakami's international following. ...(展开全部)

沃爾特．拉科爾（Walter Laqueur） 美國著名歷史學者與國際政治評論者。拉科爾於華盛頓「戰略與國際問題研究中心國際研究理事會」擔任共同主席，亦是布蘭代斯大學和喬治城大學的教授，並於哈佛大學、芝加哥大學、特拉維夫大學和約翰．霍普金斯大學擔任客座教授。針對國際政治發展，拉科爾已有多本重要著作出版，並於《紐約時報》、《華盛頓郵報》等報章雜誌發表過多篇重要政治評論。其重要著作有《歐洲末日：舊大陸的墓誌銘》、《猶太復國主義史》、《法西斯主義：過去、現在、未來》。 譯者簡介 朱怡康 台大政治學研究所碩士。現為專職譯者、國際特赦組織翻譯志工。譯有《瑜伽之心》（合譯）、《複製、基因與不朽：基因革命的反思》（合譯）、《信仰本能》、《治癒生命的創傷》、《耶穌比宗教大》等書，其它歷史、科普譯作散見於《BBC知識》月刊。